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PostPosted: Fri Mar 18, 2005 2:41 am 
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Brazilian Rosewood
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John,

BB King said that Peter Green was the only white guitarist that made him sweat! He is in the less is more school, make every note count. I saw him at the Brighton Dome about 18 months ago with the Splinter group on a double bill with John Mayall. I was in heaven!!! I think the Splinter group has about 8 albums out now (at least that's how many I've got.

Colin

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PostPosted: Fri Mar 18, 2005 2:53 am 
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Contributing Member
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First name: John
Last Name: How
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I'll have to check in again then. I get to see John Mayall every once in a while since he lives over here now. I've got several old import albums from early Fleetwood Mac. My favorite is Mr Wonderfull.John How38429.4554050926

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PostPosted: Fri Mar 18, 2005 3:27 am 
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Koa
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Colin
   I spent my formative teens (also at least partly in the 60's)in New Orleans and Memphis. I did get down to Beale Street in Memphis on occasion to see BB King and some other delta blues players. They claimed Beale street was the cradle of the blues but that may have been chamber of commerce hype.
   New Orleans was saturated with jazz. About half of that was dixieland jazz, half ziedaco, and half generic jazz. (dixieland math, but then zeidaco may not be considered jazz)


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PostPosted: Fri Mar 18, 2005 4:59 am 
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Brazilian Rosewood
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John H, I wish I could get to see John Mayall more than I do, In the late sixties when the UK was THE place for the blues his band was resident each week at the Brommel Club near where I lived in London. I got to sit in and play with him once as a nervous teenager, for one song, 'Ramblin' on my mind' when Peter Green was "Indisposed" and anyone in the audience that knew one of their songs got up and had a go. So my usual boast is that I replaced Peter Green in the Bluesbreakers!!!

John K, My favourite early blues is that of the players from the Memphis area, such greats as Frank Stokes, Jim Jackson, and of course Furry Lewis. Also the jug bands like Gus Cannon's Jug Stompers. They were never as depressing as some of the other Delta players and fit into the Ragtime/blues transition style. Interestingly I was recently working out the playing of Frank Stokes' version of 'T'aint nobody's business' when I realised that the sequence he was playing was pure Travis picking this in a recording from 1928. So maybe we should be calling it 'Stokes picking' rather than 'Travis picking'

I thought this pic of Jim Jackson was interesting, either he was very big or that guitar is tiny!


Colin


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PostPosted: Sat Mar 19, 2005 4:02 am 
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Cocobolo
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Joined: Fri Jan 07, 2005 10:32 pm
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Location: Isle Of Man
"zeidaco may not be considered jazz"

To my ears all the Clifton Chenier I've heard has been blues played on an accordian.

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