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PostPosted: Sun Feb 11, 2007 11:02 pm 
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Walnut
Walnut

Joined: Fri Jan 19, 2007 11:36 am
Posts: 32
Location: United Kingdom
I just took all my tools out side and it immediately started to rain heavily
so i'm back in again and feeling a bit frustrated at not being able to
finnish the binding channels on my first build.

I've been thinking about how i might design the rosette for some far off
fantasy build and i started messing about with Adobe Illustrator and to
my surprise it's actually excellent for this kind of thing. I came up with
the following in about 10 mins.



Of course these are just doodles and i cant even contemplate building any
of these given my current lack of skill but given it's speed and ease i
thought it may interest one or two of you.

If there is the desire i'll happily make a little Illustrator tutorial and post it
here.

Take care,

john.


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 Post subject:
PostPosted: Mon Feb 12, 2007 12:01 am 
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Old Growth Brazilian Rosewood
Old Growth Brazilian Rosewood
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Joined: Mon Dec 27, 2004 1:20 pm
Posts: 5915
Location: United States

Yes, please do....

I am going through this excercise right now.


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http://www.polingguitars.com


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PostPosted: Mon Feb 12, 2007 12:12 am 
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Brazilian Rosewood
Brazilian Rosewood

Joined: Sat Jan 08, 2005 1:26 am
Posts: 2558
Location: United States
John, those look great. Keep in mind that you are drastically reducing the area of the sound hole which will really limit your sound produced. I'd just hate for you to go to all that work and have it sound like a tin can.


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PostPosted: Mon Feb 12, 2007 12:23 am 
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Walnut
Walnut

Joined: Fri Jan 19, 2007 11:36 am
Posts: 32
Location: United Kingdom
I don't think i made it clear enough that this design is pure fantasy!
Definitely not intended for a functional sound hole, more a proof of
concept - it might make a pretty plug though!

john.



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 Post subject:
PostPosted: Mon Feb 12, 2007 2:35 am 
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Koa
Koa

Joined: Tue Mar 07, 2006 12:10 am
Posts: 606
Location: United States
Those look challenging, nice tool, didn't know it Adobe Illustrator could be used that way.


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 Post subject:
PostPosted: Mon Feb 12, 2007 2:37 am 
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Walnut
Walnut

Joined: Fri Jan 19, 2007 11:36 am
Posts: 32
Location: United Kingdom
Ok here is a tutorial - it's a little longwinded on paper as i'm describing
from a beginners point of view - once up to speed you should be blasting
out the rosettes!

1.Open a new document in Adobe Illustrator and turn on 'Show
Grid' & 'Snap to Grid in the view menu.

You can adjust the grid size and subdivisions in the Illustrator /
Preferences menu.

2. Select circle tool from the menu.



3. Draw out your first circle taking care to align the the center with a grid
intersection. On a mac if you hold down the shift key while sizing your
ellipse it will stay perfectly circular. Holding Alt+Shift while dragging
starts the circle at the center instead of the top right hand edge which can
be helpful. After drawing the circle I find it helpful to set the stroke color
to black and the fill color to red with a transparency of 50% so you can
keep track of the layers.





2. Draw a second circle over the first with centers aligned.

3. Select both circles by clicking and dragging from a blank space outside
the largest to a blank space inside the smallest (now the edges should be
highlighted in blue and a blue square should surround the design).



4. Open the pathfinder menu (Window/Pathfinder) and press this button



it will cut a hole in the larger disc using the smaller one as a template.

For this demo i'll add another shape to the design another ellipse. Like
the previous stage i will cut another hole and for fun i'll make it star
shaped.



Before cutting the hole i want to merge the smaller ellipse with the larger
ring (we want to cut through them both with the star) so i use the merge
button in the Window/Pathfinder palette.



5. Select the smaller ellipse and the larger ring making sure the star is not
selected and press the merge button.

6. Select the merged ring and then the star and press the cut button this
is what you'll end up with.



This is then end of the design stage and next comes the fun part adding
the patterns!

7. Select the design (it should all be one 'Path' now) and get rid of the
colour fill by clicking on the fill colour (1) this will bring it in front of the
stroke colour if it's not already. Then press the clear button (2).



8. Reselect the design put the transparency opacity back up to 100% and
open up the brushes palette (Window/Brushes) and click and hold the tiny
arrow here:



Still holding go down to 'Open brush library' after a moment a list of all
you brush libraries will appear. Select one of the Libraries and the
brushes contained within it will open in a new palette. By clicking
on the different brushes you can see what they look like on the design.



Try changing the stroke width to change the scaling of the design or
double click on the brush in the brush palette to alter it's options.

You can also make your own brushes but i'm not going to explain that
process - it's in Illustrator's help files!



here's a quick OLF design with the 2 segments used to create it shown at
the top left:



Good luck and let me know how you get on!

john.





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 Post subject:
PostPosted: Mon Feb 12, 2007 3:58 am 
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Brazilian Rosewood
Brazilian Rosewood
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Joined: Thu Jan 06, 2005 7:29 am
Posts: 3840
Location: England
[QUOTE=Pwoolson] John, those look great. Keep in mind that you are drastically reducing the area of the sound hole which will really limit your sound produced. I'd just hate for you to go to all that work and have it sound like a tin can. [/QUOTE]

Paul, I've never really bought this size of sound hole stuff as being an absolute. It's just not that simple. Anyone that has heard my lutes,( that have a smaller air volume than an OM and a much reduced soundhole opening, due to the rose pattern, and then low energy strings, gut or nylgut) are amazed by the volume and punch they produce. They can certainly live with a classical guitar for volume. Ever heard a parchment rosed guitar? They can be very loud, OK not like a dreadnaught with a flatpick but personnaly I don't want to hear one of those .

Colin

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