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Compensation for Bass and Baritone http://w-ww.luthiersforum.com/forum/viewtopic.php?f=10102&t=11420 |
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Author: | j.Brown [ Thu Mar 29, 2007 3:15 am ] |
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Does compensation for acoustic basses and baritones generally need to be same, less than, or equal to a standard steel string? Do string tension and string size both play a part in that? What do some of you use as a general rule? Thanks -j. |
Author: | j.Brown [ Thu Mar 29, 2007 4:17 am ] |
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Now that the excitment of John Watkins' contest has died down, is there anyone out there who can answer this? Thanks -j. |
Author: | Dave White [ Thu Mar 29, 2007 4:32 am ] |
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J There was this previous post. For baritones I need more compensation - particularly on the base strings - but others may build a different way. This is the picture in the other post that is not showing: ![]() |
Author: | TonyKarol [ Thu Mar 29, 2007 8:38 am ] |
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On 28-29 inch scales, using the 16-70 Daddario set, I set the bridge slot leading edge forward 1mm for the high B, and set the centre of the slot at about 5mm for the low B. I also use a 3/16 saddle on bari's, so there is more room to move around the break point at the saddle. |
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