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 Post subject:
PostPosted: Tue Apr 03, 2007 7:37 am 
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Walnut
Walnut

Joined: Sat Mar 03, 2007 11:32 am
Posts: 21
Location: United States
Has anyone used padauk for tops, backs or necks. If so, what kind of tone
does it produce and how does it work as far as chipping or splits and cracks?     
Listening to it when it's tapped it seems to have a very sustained, clear mid
to high pitch. Will that translate to a bright tone?


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 Post subject:
PostPosted: Tue Apr 03, 2007 9:49 am 
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Brazilian Rosewood
Brazilian Rosewood

Joined: Fri Nov 03, 2006 6:50 pm
Posts: 2711
Location: Victoria, BC
First name: John
Last Name: Abercrombie
Status: Amateur
I've used padauk for neck laminations and also for bindings, but not as 'tonewood'-yet. (I've got a b+s set in the pile.)
I do recall that I had trouble bending the padauk bindings but I didn't have a heat blanket setup at the time.
It tends to be splintery stuff in my experience. I've turned a few things with it as well.
Cheers
John


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 Post subject:
PostPosted: Tue Apr 03, 2007 11:28 am 
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Walnut
Walnut

Joined: Sat Mar 03, 2007 11:32 am
Posts: 21
Location: United States
Well I just found out that the StewMac heating iron and padauk aren't a good
combination. At least for me. Maybe tomorrow I'll try again. At .075 it felt
very flexable. I'm thinking Cherry is a good alternative.


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 Post subject:
PostPosted: Tue Apr 03, 2007 1:36 pm 
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Koa
Koa

Joined: Sat Feb 11, 2006 10:40 am
Posts: 1286
Location: United States
Back and Sides, I went down to .075 and still had a few issues. Not one of my favorites to work. You will like Cherry for B&S or for Necks, easy to bend, work and a good tonewood.

Mike
White Oak, Texas


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 Post subject:
PostPosted: Tue Apr 03, 2007 2:32 pm 
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Contributing Member
Contributing Member
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Joined: Wed Jan 05, 2005 3:45 pm
Posts: 4337
Location: United States
This shot shows a Padauk neck. It also shows that it has a Purpleheart center stripe. Very heavy neck, by the way.
Of course, the sustain and brightness is remarkable.
But decide what you want your guitar to do, and how you will be playing it. Will it be a stage guitar? 3 hours with this guy strapped around your neck would be gruelling.
I love Padauk, even considering Michael's well-stated cautions.





Steve

_________________
From Nacogdoches...the oldest town in Texas.

http://www.stephenkinnaird.com


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 Post subject:
PostPosted: Wed Apr 04, 2007 4:46 am 
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Brazilian Rosewood
Brazilian Rosewood

Joined: Sat Jan 15, 2005 12:50 pm
Posts: 3933
Location: United States
What highdrawlicks said....

I used padauk for the back and sides on my first archtop classical. Beautiful stuff, and a right in the 'rosewood' class in terms of stiffness, denstity and damping. Quartered padauk has super cross grain stiffness, but if you do bend it, even a little, it cracks. I had to have the CA right at hand as I was finishing up the carving on that one.

It does present some problems in bending. Use of a backstrap is a must, if you're hand bending. Also note that if you over heat it, it will turn very dark.

This stuff has the biggest pores I've ever seen....


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