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PostPosted: Tue Apr 24, 2007 1:05 am 
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Koa
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Joined: Sat Feb 12, 2005 6:20 am
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First name: Bob
Last Name: Johnson
City: Denver
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Zip/Postal Code: 80224
Country: USA
Focus: Build
Status: Amateur
Is the above already a Martin shape? (12 f body longer than 14 fret OM) Has anyone done this-results?
Thanks,


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PostPosted: Tue Apr 24, 2007 1:30 am 
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Koa
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Joined: Tue Jul 04, 2006 4:09 am
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Location: Auburn, California
First name: Hank
Last Name: Mauel
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I've done a 13 fret neck on a 000 body. Used a longer scale (25.7") and this kept the bridge almost exactly in the same position as a 12 fret/24.9 scale. If you go with a 14 fret neck, you will pull the bridge off the "sweet spot" found on 000-12 fretters and closer to the soundhole.
But it is a "doable" alternative...sort of a round shouldered dreadnought, shrunk down a size or two.

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PostPosted: Tue Apr 24, 2007 9:10 am 
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If you put a 14 fret neck on a 12 fret body .. unless you plan to add a couple frets, you will most likely also be moving the soundhole the same amount as you shortened the FB extension .... on most 14 fret guitars, the soundhole centre is 5 7/8 or 6 inches from the neck joint.

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Tony Karol
www.karol-guitars.com
"let my passion .. fulfill yours"


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PostPosted: Tue Apr 24, 2007 10:11 am 
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Koa
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Joined: Mon Sep 12, 2005 12:40 am
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Location: Spokane, Washington
First name: Pat
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[QUOTE=TonyKarol] If you put a 14 fret neck on a 12 fret body .. unless you plan to add a couple frets, you will most likely also be moving the soundhole ......[/QUOTE]
and the x-braces so they coincide with the new bridge location.

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now known around here as Pat Foster
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PostPosted: Tue Apr 24, 2007 10:49 pm 
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Yes of course on the braces .. every time you either change the scale, or the neck joint, or both, the bracing needs to be reworked.

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Tony Karol
www.karol-guitars.com
"let my passion .. fulfill yours"


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PostPosted: Wed Apr 25, 2007 9:15 am 
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Brazilian Rosewood
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Joined: Sat Jan 15, 2005 12:50 pm
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Location: United States
I just shipped one of those a little while ago. I've made a couple, and they work well, giving a lot of the 12-fret body character to the tone while allowing for better high fret access. I'm not going to say that the argument about keeping the bridge in the center of the top is totally bogus, but it's quite possible to move the 'acoustic center' of the top a reasonable amount by some judicious brace work and not lose the tone.


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