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PostPosted: Thu Apr 21, 2005 9:57 am 
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First name: John
Last Name: How
City: Auburn
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Any of you gluttons for punishment ever used ablam or some such to purfle the sides of your guitars? I'm considering this now and was just hoping to avoid making yer mistakes. Thanks in advance, JohnJohn How38463.7899884259

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PostPosted: Fri Apr 22, 2005 3:20 am 
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Cocobolo
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As explained to me by the infamous TJ Thompson, it's pretty much like any other shell purfling except you're breaking along the flat axis and perhaps bevelling the inside edges so when they butt up you don't have a gap on the outside curves of the instrument. I also remember him muttering a few off color words after explaining. I assume that was because it's a LOT of work.

But, it did look GORGEOUS!


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PostPosted: Fri Apr 22, 2005 3:25 am 
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That is exactly what worries me, the breaks and then sanding them smooth around the outside curves. I guess maybe the key is to braek often and try to keep it tight. Well I'll post a report before I throw it out. Thanks Pete.

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PostPosted: Fri Apr 22, 2005 4:32 am 
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Old Growth Brazilian
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Because the breaks make corners when joined you have to sand them flush. this is a minimal task but you get some funnly looking patterns in the ablam because you sand through part of on lamination and expose the next. I had rather use the solid abalone because of this. but to quote a line from an old commercial "only the hair dresser knows for sure". I did one for a client and complained about the pattern. He looked at it and thought I was crazy it looke great to him


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PostPosted: Fri Apr 22, 2005 6:45 am 
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Brazilian Rosewood
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What Michael said. I used solid pearl on my 'Winter' arctop, and still got some funny stuff in a couple of spots. Nobody has complained, though.


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