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PostPosted: Tue Jan 10, 2006 4:08 pm 
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Old Growth Brazilian Rosewood
Old Growth Brazilian Rosewood
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Joined: Mon Dec 27, 2004 1:20 pm
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Location: United States

Here is the latest. It is a SJ sized guitar w/ Carpathian Top (from Steve @ Colonial); Madagascar Rosewood Back & Sides (LMI Special grade), MadRose Fingerboard, bridge and headstock; Brazilian Rosewood rosette and binding on the body, fingerboard and headstock; Fossilized Walrus Ivory Saddle and Nut; Waverly tuners with snakewood buttons.

I am trying to decide whether or not to put a Greven mini sized Tortis pickguard on it. It matches the orange burst on the top perfectly. It is a real toss up.

Sorry about the fuzzy pics. I am going to have this guitar professionally photographed by a friend / client.










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PostPosted: Tue Jan 10, 2006 4:13 pm 
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Koa
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Very handsome Brock. Can I play it? Where's it going? BTW where's the madonna gtr too?

I love that madrose buddy!



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PostPosted: Tue Jan 10, 2006 4:20 pm 
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Old Growth Brazilian Rosewood
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Thanks.

This was originally going to be my "sales piece" but now I have a couple of folks interested in it... So it is hard to say where this might end up.

The Madonna guitar is about done. I should have pics of that ready in about a week or so. I just need to glue the bridge on and that one is done too.   

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PostPosted: Tue Jan 10, 2006 4:28 pm 
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Brazilian Rosewood
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whew Brock, breathtaking!!!!!!

Serge


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PostPosted: Tue Jan 10, 2006 5:09 pm 
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Brazilian Rosewood
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Location: San Diego, CA
First name: Andy
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Simply breath taking
What is the finish???

Andy

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PostPosted: Tue Jan 10, 2006 5:30 pm 
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Brazilian Rosewood
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AWESOME!! Brock. Now that is one that you should be very proud to 'set free'. Somebodies going to lucky (and Happy!) Oh ya, leave her naked!

Shane

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PostPosted: Tue Jan 10, 2006 5:38 pm 
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Cocobolo
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Deja vu, Didn't I just se this guitar on the mimf? Great work Brock, it's a real beauty!


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PostPosted: Tue Jan 10, 2006 6:26 pm 
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Koa
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Really really really nice Brock!

I reckon a clear scratchplate for sure. A tortis may detract.

It's a super nice and elegant guitar

Regards KiwiCraig

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PostPosted: Tue Jan 10, 2006 7:35 pm 
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Brazilian Rosewood
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Joined: Thu Jun 16, 2005 10:31 am
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Very Nice Brock

I would vote for a clear guard too, it is too pretty to cover up.

Whats been used to Colour the Top ?

How does she sound ?


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PostPosted: Tue Jan 10, 2006 8:48 pm 
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Koa
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Location: United States
Hi Brock,
This is one of the nicest guitars I've seen on OLF...no foolin!!
Looks as though you had your heart in this one for sure...And your pocket book too! Good job Buddy!!
Beautiful.

Thanks Walter WalterK38728.2011111111


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PostPosted: Tue Jan 10, 2006 9:06 pm 
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Koa
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Very nice Brock. Say, how does that Rosewood sound?


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PostPosted: Tue Jan 10, 2006 9:48 pm 
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Brazilian Rosewood
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Wow! Brock, you surely do some clean work. What type of finish did you use? Did you finish it or have Tony do it? You obviously learned more from Frank than I did.

Congrats, that is one purty guitar!

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Rector Guitars


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PostPosted: Tue Jan 10, 2006 10:21 pm 
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Cocobolo
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Nice work, Brock. I too vote against the mini tortis.


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PostPosted: Tue Jan 10, 2006 10:59 pm 
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Koa
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VERY nice guitar Brock. Great work, great style on the headstock, very tasteful appointments.


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PostPosted: Tue Jan 10, 2006 11:17 pm 
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Koa
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Great looking guitar!

Josh

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PostPosted: Tue Jan 10, 2006 11:21 pm 
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Brazilian Rosewood
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Joined: Sat Jan 08, 2005 1:26 am
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That's some amazing work, my friend. It's obvious that you had your mind set on the details, it really shows. Build more!!! Thanks for posting.


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PostPosted: Tue Jan 10, 2006 11:27 pm 
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Old Growth Brazilian Rosewood
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Thanks guys. Tony did the finish so it is cat urathane. He and I discussed the top coloring and I sent him a couple of pics of what I was thinking about and he took care of the rest. Tony ROCKS!!


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 Post subject:
PostPosted: Tue Jan 10, 2006 11:55 pm 
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WOW! Brock that is beautiful! I really like your bridge design.

Skip the pickguard, go clear.

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PostPosted: Tue Jan 10, 2006 11:59 pm 
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Brazilian Rosewood
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   Gorgeous. Absolutely mint! Madrose sure looks awesome. It's perfect like it is. I wouldn't add a pick-guard, clear or otherwise...

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PostPosted: Wed Jan 11, 2006 12:03 am 
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Nice job. It has that handmade factory look. And I mean that in a good way.


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PostPosted: Wed Jan 11, 2006 1:07 am 
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Beautiful guitar Brock, I like the proportions a lot, body/peghead, rosette,
lower bridge location. I'm sure it sounds fantastic. A Tortis guard would look
good, if it's to be played by someone using a pick.
Who's Tony, does he just do the spraying or the buffing as well and how
much does he charge for a finish like this? Can you tell more about cat
urethane? Catalysed urethane? Is it a WB finish? It looks gorgeous on the
pics. Sorry about all the questions… I can have more! Ah yes, was the guitar
finished prior assembly, or after? Bolt-on or glued neck?

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 Post subject:
PostPosted: Wed Jan 11, 2006 1:17 am 
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Cocobolo
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Joined: Mon Jan 03, 2005 1:21 pm
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That's one very cool looking guitar, Brock! The subtle top burst is a gorgeous touch, is that an original idea? I've never seen one like that on a guitar. It looks like the edge-darkening glazing done on fine furniture although that's usually done on darker woods.

Is your "SJ-sized" indicative of the forum SJ plans? All this "SJ, Southern Jumbo, Super Jumbo, Small Jumbo" business is so very jumbled up & inprecise. Maybe we should call the small jumbo SJ a BJ - for "baby jumbo" At least name that would describe the basic shape & size.

Lovely and tasteful details too. Love that Madagascan Rosewood ... gotta get me some - after I rob a bank!

SkipSkip Beach38728.3874884259


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PostPosted: Wed Jan 11, 2006 1:23 am 
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Gorgeous

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PostPosted: Wed Jan 11, 2006 1:25 am 
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Old Growth Brazilian Rosewood
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Thanks. The "SJ" -- or small jumbo in this case is based off a set of plans I got from Frank Finocchio -- a style he calls Prima.

The guitar was finished by Tony Ferguson in Michigan. Lance turned me on to him and he is just fantastic. We discussed the ideas and he took care of the rest. I just finish sanded it out and cleaned it up with steel wool and he did the entire finish soup to nuts. Tony is the best. He uses a Catalyzed Urethane finish it has a deep rich gloss and I don't think it seems to have any more damping qualities than Nitro... (at least I can't hear it if it does.)

Admittedly I am a freak about the order of construction. I USUALLY have my gutiars with the necks bolted on, fingerboards glued down ... and in this case, pre fretted. I do this so I can get the fb absolutely dead flat while the guitar is in the white. I am SUCH a klutz and I have a huge paranoia about working on brand new guitars with the finish on.

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