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PostPosted: Sat Jun 24, 2006 5:34 am 
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Mahogany
Mahogany
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Joined: Mon Nov 28, 2005 9:40 am
Posts: 55
Location: Tampa, Florida
The reported standard inside diameter for pre-cut abalone rosettes is 4.921" or 125mm according to LMI, StewMac, DePaule, and others. While laying out the rosette and purfling around the soundhole, the rosette seems to be very wide in relation to a soundhole diameter of 3-3/4" or even 4".

Has anybody used this standard rosette diameter and if so what has been your typical soundhole diameter? Did you inlay purfling between the soundhole and rosette?luthier2438892.6074768519


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PostPosted: Sat Jun 24, 2006 6:21 am 
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Brazilian Rosewood
Brazilian Rosewood
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Joined: Fri Jun 10, 2005 9:51 am
Posts: 2148
Location: San Diego, CA
First name: Andy
Last Name: Zimmerman
City: San Diego
State: CA
Zip/Postal Code: 92103
Country: United States
Focus: Build
I use Andy DePaule's abalone all the time. I usually add 3 purfling strips to
the inside and outside of the abalone. (Right next to it, not another channel)
For My OM's I use a 3/ 7/8th soundhole
Andy

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http://www.lazydogguitars.com


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PostPosted: Sat Jun 24, 2006 12:14 pm 
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Koa
Koa

Joined: Sun Feb 26, 2006 10:21 pm
Posts: 1055
Location: Australia
[QUOTE=azimmer1] I use Andy DePaule's abalone all the time. I usually
add 3 purfling strips to
the inside and outside of the abalone. (Right next to it, not another
channel)
For My OM's I use a 3/ 7/8th soundhole
Andy[/QUOTE]

I always have a purfling border in same channel as abalone in my abalone
rosettes. This gives you a little bit of leeway if the abalone pieces arent
exactly same radius as channel. After fitting the abalone and purfling you
can add a bit of water to swell up the wood around small gaps between
the purfling and channel sides.

Im currently making up my rosettes using 25mm square pieces of
abalone as supplied by Stewmac. I sand inside radius of each piece on a
sanding drum in the drill press and then cut outside radius with jewellers
saw (fine blade) and trim on sanding drum wioth abalone piece clamped
in a holder that rotates on a pivot. Final shaping is done by hand with a
sanding board.

My method basically follows that outlined in Campianos book.


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