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PostPosted: Wed Nov 29, 2006 8:20 pm 
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Mahogany
Mahogany

Joined: Thu Apr 27, 2006 12:56 am
Posts: 77
Location: United States
Hey everyone, first i would like to propose that for the ultra-mega, super-uber posting nomination to be "ridiculously curly maple". I think Brazilian Rosewood is great and all, but... well, you know where my vote is.

Second, Along the lines of curly maple, here is my latest mandolin for the Red Rocks Community College where I teach mandolin building. The grain is pretty good curly maple, but a decent stain and some tung oil varnish (made by Hope's) has really gotten me excited about it.

You can see the camera pretty clearly in the pictures. I have been impressed by the flatness achieved with brushing and scuff sanding between coats with 400 grit. This is after brushing one of the last coats a few hours ago.

Enjoy!





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PostPosted: Wed Nov 29, 2006 8:27 pm 
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Mahogany
Mahogany

Joined: Thu Apr 27, 2006 12:56 am
Posts: 77
Location: United States
Almost forgot this!

A hypothetical large sum of money to whoever can guess what the inlay is made of!



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PostPosted: Thu Nov 30, 2006 1:17 am 
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Brazilian Rosewood
Brazilian Rosewood

Joined: Wed Jan 19, 2005 5:23 am
Posts: 2353
Location: United States
That is looking great Geoff! I can hardly wait to hear it next week!


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PostPosted: Thu Nov 30, 2006 1:17 am 
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Brazilian Rosewood
Brazilian Rosewood

Joined: Sun Dec 25, 2005 6:32 am
Posts: 7774
Location: Canada
Holy Cow, that is nice!


Geoff, one nice piece of work, love the headstock shape, really different from what i'm used to see and no clue as to what you used for the inlay though.

i just started building mandolins a couple of months ago but atill reading Siminoff's book and i'm taking it slow, glad to have you here to show us some marvelous instruments such as these, thanks!

Serge


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PostPosted: Thu Nov 30, 2006 5:26 am 
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Brazilian Rosewood
Brazilian Rosewood

Joined: Tue Feb 15, 2005 10:31 am
Posts: 3134
Location: United States
[QUOTE=gburghardt]A hypothetical large sum of money to whoever can guess what the inlay is made of![/QUOTE]
Mayonaise!

It's lookin' pretty good, Geoff! That maple does pop out nicely.


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PostPosted: Thu Nov 30, 2006 5:58 am 
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Koa
Koa

Joined: Sat Feb 11, 2006 10:40 am
Posts: 1286
Location: United States
Looks great

Toothpaste

Mike


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PostPosted: Thu Nov 30, 2006 8:12 am 
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Mahogany
Mahogany

Joined: Thu Apr 27, 2006 12:56 am
Posts: 77
Location: United States
I will say that toothpaste is getting warmer. a few more gueses and I shall divulge.


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PostPosted: Thu Nov 30, 2006 8:29 am 
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Contributing Member
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Joined: Fri Aug 26, 2005 5:49 pm
Posts: 2915
Location: Norway
Nice!
(I have no idea what the inlay material is, though).

Can you give us some more details about your tung oil finish, the 'bursting schedule and so on?

_________________
Rian Gitar og Mandolin


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PostPosted: Thu Nov 30, 2006 3:49 pm 
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Mahogany
Mahogany

Joined: Thu Apr 27, 2006 12:56 am
Posts: 77
Location: United States
Okay, I'm cheap but I wanted a gritty surface to represent Red Rocks (which the inlay is supposed to look like). So I used super glue and baking powder to fill in the cavity I dremeled out. Easiest thing I've ever done. I'm considering it for more elaborate things. It is not nearly as fancy as pearl, but it is gritty, looks tough and I personally enjoyed doing it.

So, you want to know how I finished it? I must disclose that I am as green as it gets when it comes to finishing. I aspire to greatness, but I am far from it. But, here is how I did it:

1) base dye of amber, then the orange. Both water based stains. had to sand back because the grain rose, even though I did raise the grain with distilled water and sanded back before staining.

2) Sealer coat of ultra-blonde shellac (I used a pre-val "spray gun" where you can mix your own finish and use an aerosol attachment to spray it. It worked, but it is something I'm going to have to mess with and get better at. Found that at ACE for pretty cheap)

3) Sprayed the sunburst (using black shellac and the pre-val spray gun)

4) another sealer coat of ultra-blonde shellac
I let that sit for a day and should have lightly smoothed the surface and re-sprayed the black portions if I sanded through. More later...

5) put on 4 coats of Hope's tung oil Varnish, straight from the bottle, letting the first coat dry for 2 days, then 1 day inbetween subsequent coats. Lightly sanding with 320 between coats to help with adhesion, since varnish doesn't "burn in"

6) Did a flat sand with 320, then had to go back and touch up some black spots where I sanded through (just to clear shellac, luckily didn't go through to the wood). I had to touch up some fairly big spots (~1cmx1cm), but after 3 more coats of varnish you can't tell at all (not sure how kosher that is, but like I said, I'm learning). In the future I will make sure the finish is flat once the sunburst has been applied, so that the varnish top-coats won't eat through high colored spots.

7) Right now I'm letting it cure for probably 3 weeks. There is very little left to flat sand as the varnish goes on with brush marks, but they level out before it dries. I was very pleased with that. I'm not sure if I'm going for a high shine, or if I want satin. The varnish is pretty stunningly shiny!

What I learned: well, to get the sunburst finish pretty flat before applying clear top coats. Also, the varnish took much longer to dry on the plastic bindings than the rest of it, but after a coat, it was usually pretty dry in 12 hours.

In the future I"d like to try the Behlen's rock hard table whatever varnish. Apparently it dries quicker, but I was very pleased with this varnish, especially since I was pretty busy this last week and brushing is fairly quick and most of the time spent is just waiting, or in my case going crazy with school work.

A last comment, the finish *looks* pretty thick, but in reality is very thin. It didn't take much at all to sand through 4 layers with 400 grit paper. Maybe I was being careless, but never-the-less, the finish is as thin as I've ever gotten. If someone knows how to measure that I'd sure like to find out. Do you have to chip a piece off?

I've heard a lot about the beauty of a good french polish, or just shellac in general, but I must say that varnish has my vote for bringing out all the pretty things the wood has to offer, and also, all the places where you messed it up.

Thanks everyone!



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