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PostPosted: Fri Mar 14, 2008 7:54 pm 
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This is my ninth guitar. I really like it!
It is Adirondack spruce on Oregon Myrtle, with zirocote bindings, fretboard, headstock and bridge.
The segmented rosette and bottom wedge are spalted maple.
The finish is Crystalac gloss with a little amber tint. Black Gotoh tuners.
The neck is mahogany, oak and walnut.
27.5" scale. OLF SJ body size.

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Last edited by Steve Saville on Fri Mar 14, 2008 8:06 pm, edited 1 time in total.

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PostPosted: Fri Mar 14, 2008 8:01 pm 
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Beautiful, beautiful, beautiful [:Y:] Those are big honking frets!!

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PostPosted: Fri Mar 14, 2008 8:01 pm 
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Nice Steve! I like your choice of woods. How's she sound? [clap] [clap]

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PostPosted: Fri Mar 14, 2008 8:05 pm 
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joe white wrote:
Nice Steve! I like your choice of woods. How's she sound? [clap] [clap]

Joe,
I really like the sound. I haven't put on baritone strings yet. I tried using mediums.
I can't wait until the real strings show up so I can really give it a spin.
I made it with a fairly thin top (.090'), and left the braces a little taller than I would have for a standard guitar.
One of the biggest mistakes I made was not having you do the finish!

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PostPosted: Fri Mar 14, 2008 8:14 pm 
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Looks great from here! [:Y:]

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PostPosted: Fri Mar 14, 2008 11:05 pm 
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Beautiful instrument, Steve. Nice work, and nice selections of woods. It all goes together very well. [clap] [clap] [clap] [clap] [clap]

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PostPosted: Fri Mar 14, 2008 11:12 pm 
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Having built with oregon myrtle before, I know that no picture can capture the beauty of the wood. This guitar is drop dead gorgeous!

Well done my friend!

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PostPosted: Fri Mar 14, 2008 11:46 pm 
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Good job, Steve!

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PostPosted: Sat Mar 15, 2008 2:00 am 
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Really nice work Steve!

You going to post some mp3's when you get the strings?

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PostPosted: Sat Mar 15, 2008 4:01 am 
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Steve,

Lovely guitar - baritones can be addictive.

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PostPosted: Sat Mar 15, 2008 7:18 am 
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This is a great looking guitar Steve and I am sure that when you get your strings she will sound great too. Nice job!! [:Y:] [clap] [clap] [clap] [clap] [clap]


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PostPosted: Sat Mar 15, 2008 7:46 am 
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Beautiful, Steve, absolutely beautiful! [clap]

You have really made that myrtle gleam. I hope that I can bring the best out the myrtle OM I am building at the moment. A lovely wood to work with.

Love the choice of binding too- the myrtle seems versatile with certain binding woods- I have used curly koa on mine, and that goes well too.

A question about the bridge, if you don't mind. I remember you showcasing that design sometime back; and I really like the unique design- are there any structural/tonal reasons why you have chosen to take material off the bridge wings?


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PostPosted: Sat Mar 15, 2008 8:08 am 
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Great looking guitar Steve. I really like the wood choice, color combo, and the wheat purfling.


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PostPosted: Sat Mar 15, 2008 6:14 pm 
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Sam Price wrote:
Love the choice of binding too- the myrtle seems versatile with certain binding woods- I have used curly koa on mine, and that goes well too.

We thought about koa. The first thought, before the guitar was being built, was bloodwood. But when that body took shape, bloodwood just didn't seem to work, so we tried other woods like koa. I'm sure your guitar will be great, but this one seemed to need the ziricote.


Sam Price wrote:
A question about the bridge,.....- are there any structural/tonal reasons why you have chosen to take material off the bridge wings?

Yes - I treat the bridge as a brace.
I wanted to reduce overall weight and reduce stiffness at the wings, hoping to increase bass response.

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PostPosted: Sat Mar 15, 2008 6:47 pm 
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Zoinks!

That's awesome! I love that stripey adi top...and the ziricote appointments are fantastic as well. Nice job...

[clap] [clap] [clap] [clap] [clap] [clap] [clap] [:Y:]

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PostPosted: Sat Mar 15, 2008 7:11 pm 
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Hello Steve...she looks beautiful!

Greg

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PostPosted: Sun Mar 16, 2008 7:43 am 
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I love the bridge shape and the effect of the ziricote components. Beautiful.

I'm eager to hear more about the sound, once you get it strung up baritonely (how's that for a new word?).

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 Post subject: Strings?
PostPosted: Wed Mar 19, 2008 8:56 pm 
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When I first strung this guitar up, I put on C.F. Martin Acoustic Marquis 92/8 Phosphor Bronze Medium, .013 - .056. I tuned it standard shape to D. It sounded good to my ears. The top was active, it was lively across all strings, and the low D rang out nicely. If I tuned it lower, the strings got too floppy to work the top and buzzed against the frets.

Not wanting to leave good enough alone, I put on D'Addario Acoustic Baritone Guitar strings, .016 - .070. I tuned it to standard shape to B. The top is not nearly as engaged. The low B does not activate the top. It sounds a bit muted. overall, it sounds OK, the tone is pleasant, but the top is not very active. It does not vibrate like it did with the mediums.

I have a set of Elixir Electric Guitar Baritone NanoWeb .012 - .068. I'm thinking about trying those.

This is my first baritone. The client wants to have it in B tuning.
Any suggestions?
Thanks!

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PostPosted: Wed Mar 19, 2008 9:11 pm 
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Hey Steve,
looking good!
Maybe Matt Mustapick may be able to help since he has built several baritone guitars.
Shoot him an email....

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 Post subject: Re: Strings?
PostPosted: Thu Mar 20, 2008 3:45 am 
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SteveS wrote:
When I first strung this guitar up, I put on C.F. Martin Acoustic Marquis 92/8 Phosphor Bronze Medium, .013 - .056. I tuned it standard shape to D. It sounded good to my ears. The top was active, it was lively across all strings, and the low D rang out nicely. If I tuned it lower, the strings got too floppy to work the top and buzzed against the frets.

Not wanting to leave good enough alone, I put on D'Addario Acoustic Baritone Guitar strings, .016 - .070. I tuned it to standard shape to B. The top is not nearly as engaged. The low B does not activate the top. It sounds a bit muted. overall, it sounds OK, the tone is pleasant, but the top is not very active. It does not vibrate like it did with the mediums.

I have a set of Elixir Electric Guitar Baritone NanoWeb .012 - .068. I'm thinking about trying those.

This is my first baritone. The client wants to have it in B tuning.
Any suggestions?
Thanks!


Steve,

For B-B try a set of D'Addario EJ 16's (12-53) discard the first string (12) and buy a single 66 for the bottom string. If you don't like the feel of the wound 24 as second string use a 20 unwound.

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PostPosted: Thu Mar 20, 2008 5:16 am 
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Hey Steve, that looks great.
Let us know what you settle on, and what works for this guitar.
Any pix of the braced top before closing the box?

Steve K

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PostPosted: Sun Mar 30, 2008 10:33 pm 
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I'm getting used to the baritone strings.
It must sound pretty good, I let a guy play it and after 20 minutes he decided to order one. That was pretty exciting.
I just need to touch it up a bit and ship it to the client.

BTW - This is a 14 fret model.

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PostPosted: Mon Mar 31, 2008 8:26 am 
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YES! [clap]
Good job!


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PostPosted: Mon Mar 31, 2008 8:51 am 
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SWEEEEEEEEEEEEEET


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PostPosted: Mon Mar 31, 2008 9:33 am 
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Great looking guitar Steve! [:Y:]

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