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 Post subject: Crossover guitars
PostPosted: Fri Apr 08, 2022 7:46 am 
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Koa
Koa

Joined: Fri Feb 24, 2017 8:43 am
Posts: 1707
I’m contemplating making a crossover instrument. Basically a nylon string guitar w specs of a steel string.
I had a Taylor crossover years ago and loved it.
Thought maybe I’d make one now:)
What’s different? How does one determine brace stiffness and such.?
Just looking for a start


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 Post subject: Re: Crossover guitars
PostPosted: Fri Apr 08, 2022 8:08 am 
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Brazilian Rosewood
Brazilian Rosewood

Joined: Tue May 13, 2008 10:44 am
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Location: Virginia
Think of it as a classical guitar with a narrow neck and narrow string spacing at bridge. Brace it like a classical guitar.


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 Post subject: Re: Crossover guitars
PostPosted: Fri Apr 08, 2022 11:49 am 
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Koa
Koa

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jfmckenna wrote:
Think of it as a classical guitar with a narrow neck and narrow string spacing at bridge. Brace it like a classical guitar.

That’s where I’ll need to research. I’ve never braced a classical before


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 Post subject: Crossover guitars
PostPosted: Fri Apr 08, 2022 1:26 pm 
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Location: Southeast US
City: Lenoir City
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I’m doing my first crossover. Box is based on Rameriz, neck is typical steel string - dovetail, 16” radius. I made the nut 1 7/8”.

Tried to post a photo with Tapatalk but it it failed twice.

Finally
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 Post subject: Re: Crossover guitars
PostPosted: Fri Apr 08, 2022 1:46 pm 
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Brazilian Rosewood
Brazilian Rosewood

Joined: Wed Feb 20, 2008 7:15 pm
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First name: Ed
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Brandon, don’t you have the Gore/Gilet books? There should be all the info you need in them including a bracing layout, or at least a good start anyway…


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 Post subject: Re: Crossover guitars
PostPosted: Fri Apr 08, 2022 2:19 pm 
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Joined: Sat May 17, 2008 1:11 pm
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Location: Spokane, Washington
First name: Pat
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You can search google images for classical guitar bracing. The Torres pattern is probably the simplest (Torres is to classical fan bracing what Martin is to the x-brace in steel strings). If you go the route that jfmckenna mentioned, a classical with a narrow neck, it might be worthwhile to get a plan. luth.org has a good one in the Torres SE114 plan. Bear in mind that the lower tension in nylon strings means that the strings deflect a lot more when struck, making it more of a challenge to keep the left fingers from interfering. There's also the larger diameters of the treble strings, compared to the equivalents in steel strings.

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These users thanked the author Pat Foster for the post: SnowManSnow (Fri Apr 08, 2022 8:55 pm)
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 Post subject: Re: Crossover guitars
PostPosted: Fri Apr 08, 2022 8:48 pm 
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Koa
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meddlingfool wrote:
Brandon, don’t you have the Gore/Gilet books? There should be all the info you need in them including a bracing layout, or at least a good start anyway…

Indeed I do. Thanks for the reminder


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 Post subject: Re: Crossover guitars
PostPosted: Fri Apr 08, 2022 9:28 pm 
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Brazilian Rosewood
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I think there’s even a classical plan…


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 Post subject: Re: Crossover guitars
PostPosted: Sat Apr 09, 2022 5:21 am 
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Koa
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First name: Mark
Last Name: McLean
City: Sydney
State: New South Wales
Zip/Postal Code: 2145
Country: Australia
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I did one with a L-00 body (but anything of similar size would do), falcate bracing from the G&G books, fairly light construction, bolt-on and bolt-down neck, slotted headstock. Very happy with it.


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 Post subject: Re: Crossover guitars
PostPosted: Sat Apr 09, 2022 7:55 am 
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First name: colin
Last Name: north
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The older Taylor crossover guitars were a 5 bar fan with a slanted lower transverse brace and a spruce bridge plate.
I built one similar, 14 fret OLF Small Jumbo shape, may still have drawings/bracing template.


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The name catgut is confusing. There are two explanations for the mix up.

Catgut is an abbreviation of the word cattle gut. Gut strings are made from sheep or goat intestines, in the past even from horse, mule or donkey intestines.

Otherwise it could be from the word kitgut or kitstring. Kit meant fiddle, not kitten.



These users thanked the author Colin North for the post: bcombs510 (Sat Apr 09, 2022 8:56 am)
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