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PostPosted: Tue Sep 04, 2007 11:13 am 
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Cocobolo
Cocobolo
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Joined: Thu Aug 03, 2006 4:48 pm
Posts: 204
Location: Wayne, NJ, United States
First name: Gary
Last Name: Lee
Status: Professional
Fantastic job! It has such an inviting look to it. The guitar just screams, "Play me!"


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PostPosted: Tue Sep 04, 2007 12:21 pm 
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Walnut
Walnut

Joined: Fri Jan 19, 2007 11:36 am
Posts: 32
Location: United Kingdom
That's Beautiful, and i know exactly what you mean about the vintage
Martin style nuts!!!

Happy playing!

J.


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PostPosted: Tue Sep 04, 2007 12:46 pm 
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Koa
Koa

Joined: Fri Jun 30, 2006 4:23 pm
Posts: 1694
Location: United States
First name: Lillian
Last Name: Fuller-Watson
State: WA
Country: USA
Focus: Build
Status: Amateur
Very nice Pat. Very nice indeed.

_________________
Aoibeann


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PostPosted: Tue Sep 04, 2007 2:17 pm 
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Brazilian Rosewood
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Joined: Mon Jul 04, 2005 7:13 am
Posts: 3270
Location: United States
Just outstanding, Pat!!!

Ron

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OLD MAN formerly (and formally) known as:

Ron Wisdom

Somewhere in the middle of Arkansas......


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PostPosted: Tue Sep 04, 2007 2:32 pm 
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Koa
Koa
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Joined: Mon Sep 12, 2005 12:40 am
Posts: 1900
Location: Spokane, Washington
First name: Pat
Last Name: Foster
State: Eastern WA
Focus: Build
I'm grateful to everyone for the encouraging comments. The camaraderie and great info here on the OLF made it possible.

Here's a pic I forgot to post. Another first for me, putting purfling on the heel cap.



Colin,

I will do that, before I get back to the Terz I put aside to start this project.

JJ,

The inlay is gold MOP.

I did the glitter testing according (at least as well as I could interpret it) to Alan Carruth. I used the glitter to indicate the resonant frequencies of the top and back. I tuned the back to get it about the same as the top. Glued the plates to the rims and tweaked them again since putting them on the rim changed their frequencies. After the bridge went on, they ended up about a semi-tone apart, with the top lower, close enough for them to work together but not so close as to cause a wolf tone. The top is lower so that as it gets played in, it might end up a little further from the back's frequency, which is better than them ending up closer together over time, or worse yet, the same. The back really moves with the top. That's my simplified take on it, and I'm certainly open to corrections or other interpretations.

Lance, I am indeed proud, just so long nobody looks too close! Thanks!

Thanks for the wood Bob!

The koa and bamboo were central to the theme of this little sweetheart. My nephew, a good player, wanted his uncle to build something with meaning to me, so I went Hawaiian since my mom, three siblings and I were born there, and my nephew loves the surf there. It ships out next week.

Todd, funny you should ask. The hula girl was my mom in her youth!

Hesh, thanks, buddy.

Thanks, Lillian, Ron.

And thanks for all the other kind comments. You all were inspirations in one way or another.


_________________
now known around here as Pat Foster
_________________
http://www.patfosterguitars.com


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 Post subject:
PostPosted: Tue Sep 04, 2007 2:51 pm 
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Contributing Member
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Joined: Wed Feb 15, 2006 7:37 am
Posts: 4805
Very classy, Pat.


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 Post subject:
PostPosted: Wed Sep 05, 2007 12:46 am 
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Cocobolo
Cocobolo

Joined: Sun Feb 04, 2007 1:32 pm
Posts: 187
Location: United States

That is a work of art, great job Pat.


                          Red



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 Post subject:
PostPosted: Wed Sep 05, 2007 10:20 am 
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Brazilian Rosewood
Brazilian Rosewood
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Joined: Mon Jun 13, 2005 6:53 am
Posts: 2104
Location: Toronto, Ontario, Canada
First name: Anthony
Last Name: Zlahtic
City: Toronto
Country: Canada
Focus: Build
Status: Amateur
Nicely done Pat! I really like it. Cool inlay.


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