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PostPosted: Tue Feb 07, 2012 1:29 pm 
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i'm not clear on this, but it seems: the soundboard is uniform thickness, and thin. the braces are rounded in the solera. the soundboard gets mashed into the solera by force(go-bar deck or other method), and glued to the round braces, forming a domed top.
is this about right....?
:oops:


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PostPosted: Tue Feb 07, 2012 2:19 pm 
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Classical or Steel String?

Assuming classical:

I radius the fan braces and glue them onto a radiused solera using a go-bar deck.

I have seen proceedures where the solera is radiused 50-100% deeper than the desired dome and non radiused braces are used. Spring back is expected

I have also seen classicals built on a flat solera with non radiused braces, with the idea that the string tension and time will dome a lightly braced classical guitar.

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Last edited by johnparchem on Tue Feb 07, 2012 10:07 pm, edited 5 times in total.

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PostPosted: Tue Feb 07, 2012 3:14 pm 
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yes, classical
ok, so in other words, the soundboard is basically not shaped by carving or scraping then. kinda what i thought.
i would hate to rely on tension to pull things into the correct shape, seems very hit or miss!


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PostPosted: Tue Feb 07, 2012 3:20 pm 
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nyazzip wrote:
yes, classical
ok, so in other words, the soundboard is basically not shaped by carving or scraping then. kinda what i thought.
i would hate to rely on tension to pull things into the correct shape, seems very hit or miss!


the sound board is not shaped to make the dome on a classical, it is basically a flat plate.

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PostPosted: Tue Feb 07, 2012 9:04 pm 
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Many classical tops are pressed into the dome of the solera with straight fan braces that spring the top into a dome. A few use pre shaped braces, but I think it's more the exception than the rule. Hauser types are pulled into a dome with the bridge. Then, some are built totally flat. You get to pick, but I suggest following your plan if it doesn't tell you, then some additional research is in order.

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