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Hi. On the last two gits I built, I let the top and back braces into the side kerfed linings. On the one of two I'm building now, I let the braces into the kerfed linings, and the sides, all the way to the outside. I did this because, 1- it's easier to do, and 2- because if the top were to be removed in the future, one would be able to see where the braces were, and unglue them a lot easier. I usually just go by instinct, except now with this olf, I can get good advice. Does one usually let them in to the outside of the sides?

Thanks, Alan.

Mine just go through the kerfing, not the sides.

Ron

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OLD MAN formerly (and formally) known as:

Ron Wisdom

Somewhere in the middle of Arkansas......

My first guitars went just through the linings. My last 2 went all the way though the sides. My current 2 will stop before the linings on the top and go through the sides on the back. I hope that helps.
   
Seriously, I do hope it helps you understand that there are good reasons to do it each way. It is up to you to learn which way is your way. I'm on my eighth guitar and I don't know what my way is yet. Like many decisions in building, there will be strong opinions on which way is best, along with strong disagreements. That tells me that there is probably no right way, just different ways.
That is of course, just my opinion. YMMV

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"An adventure is only an inconvenience rightly considered. An inconvenience is an adventure wrongly considered." G. K. Chesterton.

Good answer Steve and most diplomatic of you

Cheers

Kim

The main danger with going all the way through side is having a brace end not cover by binding.

If you control the height of the brace end then there is no problem. I taper to .060 at all brace ends then cut a .065 groove to let them into, allowing for some glue in the joint.

But... I've seen more than one luthier make the ends too large and wonder why the binding didn't cover...

Good luck building.

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http://www.dickeyguitars.com

i have at one time or another tried all three methods, through the side, just into the linings, and stopping short of the lining.

certainly carrying the brace through the side will result in the strongest box construction, and is simpler to accomplish than just letting them into the linings.

viewing the recent video presentation by ervin has set me to pondering on the matter again. and i have come to the conclusion that, for me at least, in future it is going to depend a lot on what type of player i'm building for, what kind of sound i'm tying to get out of the instrument. but certainly i think a lot more braces are going to be stopping short of engaging the linings.

i have a goodly stock of allied's opportunity eir purchased a year or two ago for the purpose, as well as mahogany b&s and neck stock and top wood, and i'm going to be doing a goodly bit of prototyping trying to refine things a bit.

Letting the brace ends stick out through the sides introduces the chance that the braces might split when cutting the binding ledges with a router. Tight pockets in the lining and sides, and a sharp bit minimizes this, but cutting that end grain is something to be careful with.

long

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"No man ever steps in the same river twice, for it's not the same river and he's not the same man.” -Heraclitus of Ephesus

First off, sorry about the mistake I made "Tetting the sides". It's really "Letting " the sides. Maybe we could call it tetting when it goes to the outside!  Anyway, great input here. I'll just try all the methods. I will sand the braces when they stick through the sides, good warning. Someday I'll get a dvd and find out everything I'm doing wrong, too. Also, I'll try stopping short of the linings, too. Most of all, experiment, listen, and come up with the way that's best for me. Thanks again y'all!   Alan.

Oh, one more thing, Hesh, I like your "not letting in back braces". The reason for this, for me is, I'm making a git with 4 small soundholes in the upper bout, and removing the back would be a lot easier if something ever neede repair. No way to go through those little sound holes. Also, I figured out, duh, I have to glue the bridge on, before I glue the top on. Alan.

[QUOTE=AStass]Also, I figured out, duh, I have to glue the bridge on, before I glue the top on. [/QUOTE]

Not if you use a vacuum clamp. It is even possible to glue the bridge on using go-bars. I would definitely recommend either of these methods (preferrably the vacuum clamp, to eliminate the very tiny risk of breaking the top with go-bar pressure) over gluing the bridge on before gluing the top on. That would introduce a lot of problems.

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Todd Rose
Ithaca, NY

https://www.dreamingrosesecobnb.com/todds-art-music

https://www.facebook.com/ToddRoseGuitars/

[QUOTE=Hesh1956]   

Sorry Alan I must have given you the wrong impression. I do let in all of the back braces.

[/QUOTE]

Two of the OM's we are building at present have the back braces inlet.

Two we decided to let float to see if it would free the back up.

Not standard procedure, I know, but an interesting experiment nontheless.

The SJ 12 string has them inletted.

Cheers

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Bob Connor
Geelong, Australia

[QUOTE=Todd Rose] [QUOTE=AStass]Also, I figured out, duh, I have to glue the bridge on, before I glue the top on. [/QUOTE]

Not if you use a vacuum clamp. It is even possible to glue the bridge on using go-bars. I would definitely recommend either of these methods (preferrably the vacuum clamp, to eliminate the very tiny risk of breaking the top with go-bar pressure) over gluing the bridge on before gluing the top on. That would introduce a lot of problems.[/QUOTE]

Hi, and thanks. It might not be so much of a problem for me, because I am building Weiss. style gits, and if I'm really careful, rely on the centerline, if the bridge is within a few hundredths, I'll be okay, because it is a slide only guitar. That's one reason I like building them, no compensation, no tricky action, and when you're playing them, you use the fret markers as references, so they aren't as critical.

I'm a lazy hack. Alan.

 

 

 

 

I suppose, then, the only issue would be having the bridge in the way when doing the finish.

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Todd Rose
Ithaca, NY

https://www.dreamingrosesecobnb.com/todds-art-music

https://www.facebook.com/ToddRoseGuitars/