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PostPosted: Sat Sep 15, 2007 12:26 pm 
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Koa
Koa
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Joined: Tue Mar 14, 2006 4:08 pm
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Location: Denver, Colorado
Hola. I've seen a few of you do white purfling in your fretboards, and I
was curious what you use and how white it stays. Seems like ABS would
stay the cleanest. Anyone use white fiber though?

Thanks


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Mike

"The Dude abides. I don't know about you but I take comfort in that. It's good knowin' he's out there. The Dude. Takin' 'er easy for all us sinners. Shoosh." The Stranger


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PostPosted: Sat Sep 15, 2007 12:35 pm 
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Koa
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White fiber works great.   I think a lot of folks imagine problems where there aren't any...


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 Post subject:
PostPosted: Sat Sep 15, 2007 12:37 pm 
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Koa
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Thanks Rick. I'll give it a go.

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"The Dude abides. I don't know about you but I take comfort in that. It's good knowin' he's out there. The Dude. Takin' 'er easy for all us sinners. Shoosh." The Stranger


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PostPosted: Sat Sep 15, 2007 1:41 pm 
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Brazilian Rosewood
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White celluloid.

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PostPosted: Sat Sep 15, 2007 1:54 pm 
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Koa
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That works fine, too.


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PostPosted: Sat Sep 15, 2007 4:20 pm 
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Koa
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Thanks guys. I've never used celluloid. Do you recommend the Weld-on
cement?

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Mike

"The Dude abides. I don't know about you but I take comfort in that. It's good knowin' he's out there. The Dude. Takin' 'er easy for all us sinners. Shoosh." The Stranger


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PostPosted: Sat Sep 15, 2007 5:21 pm 
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Brazilian Rosewood
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I get my best results with CA. Weld-on works, as does any acetone based cement. I've even glued it with PVA glues; if you give a wipe with acetone before using them, they can adhere OK, and I've even had OK results without the acetone wipe. But I trust CA the most. ABS plastic is quite a bit harder to glue than celluloid.

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Howard Klepper
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PostPosted: Sat Sep 15, 2007 11:28 pm 
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Koa
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Location: Australia

G'day Mike,

        Ivory for me !






Craig Lawrence

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 Post subject:
PostPosted: Sun Sep 16, 2007 3:48 am 
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Koa
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Thank you, Howard.

G'day Craig. That's a fine lookin' neck you got there. Did you have some
long pieces? I've got a bunch of reclaimed piano keys, but it would take
quite a while to cut them all up and prep.

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Mike

"The Dude abides. I don't know about you but I take comfort in that. It's good knowin' he's out there. The Dude. Takin' 'er easy for all us sinners. Shoosh." The Stranger


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PostPosted: Sun Sep 16, 2007 10:59 am 
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Koa
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Yep Mike , it takes a lot of mucking around . Just one other reason it takes me thousands of hours to complete a guitar.
Key tops are graduated in thickness (front to rear),about .7m.m. to .5m.m. ,so you have to thickness them , which isn't easy when they are so short.
On top of that , nearly all of them will have hollows worn in them from the pianists fingers.
As a piano tuner ,I have quite a lot available and choose the tops from the very treble and bass ends of the keyboard ( less wear ).As Ivory comes in various colour shades, I take them off the same keyboard to keep the whole thing uniform in colour.

It's worth the effort ( to me anyway ) as I can't bring myself around to using plastic ,and hey! ,I've got ivory purfling !

Craig Lawrence

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 Post subject:
PostPosted: Sun Sep 16, 2007 11:54 am 
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Koa
Koa

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Location: United States
I just bound a fretboard about an hour ago using maple veneer for the purfling.

Al


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 Post subject:
PostPosted: Mon Sep 17, 2007 1:35 am 
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Old Growth Brazilian
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Location: United States
I also use maple. I prefer the natrul white of maple to the stark white of fiber or abs


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 Post subject:
PostPosted: Mon Sep 17, 2007 1:42 am 
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Brazilian Rosewood
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Location: The Woodlands, Texas
First name: Barry
Last Name: Daniels
I am currently using cream colored plastic purfling which seems to better match the white purfling elsewhere that's under a lacquer finish.


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 Post subject:
PostPosted: Mon Sep 17, 2007 8:14 am 
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Koa
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Location: Denver, Colorado
Great. Thanks for all the input, everyone.

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Mike

"The Dude abides. I don't know about you but I take comfort in that. It's good knowin' he's out there. The Dude. Takin' 'er easy for all us sinners. Shoosh." The Stranger


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