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PostPosted: Wed Sep 26, 2007 1:21 am 
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Cocobolo
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There has been many discussions about wood for the top and B&S but seldom about the braces. I know its important to use perfectly quarter sawn or hand split wood but what about the type of wood used? The commonly used wood are spruce but what about other wood like mahogany etc. I have used mostly non traditional wood and it gives a variety of tonal colours. I know some makers do weigh and test its flexibility, I tap my braces for nice clear ringing tone before I glued them to the top. What do you all think? Jeff



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PostPosted: Wed Sep 26, 2007 1:41 am 
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Old Growth Brazilian
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Adirondack Spruce, Engelmann Spruce, Sitka Spruce. Western Red Cedar. These four have the best weight to strength ratios. I would assume Spanish Cedar will work here as well.

The better quartered the section the more consistent the section modulus of the brace.

Mahogany I will use for blocks and linings but not for bracing.


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PostPosted: Wed Sep 26, 2007 1:48 am 
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I've been thinking about trying redwood. I have some stuff that is light as a feather, and yet very very stiff. It would be an interesting experiment.

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PostPosted: Wed Sep 26, 2007 1:54 am 
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Brazilian Rosewood
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Shane's Lutz is what I use now - fabulous bracing material. Before that I used Euro spruce.

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PostPosted: Wed Sep 26, 2007 2:07 am 
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Old Growth Brazilian
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I think the most important part of your quest is the well quartered part. The more on the vertical the grain the better and more consistent the strength of the brace in that plan. Though Compiano hinted in Tradition and Technology that hand split was the way to best achieve this, personally i have doubts that once you have the grain in the best vertical plane possible that there is a difference in hand split or sawn. Now getting there Hand splitting may have an advantage but as long as it is well quartered the method that got you there is unimportant.


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PostPosted: Wed Sep 26, 2007 2:09 am 
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Old Growth Brazilian
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I think the most important part of your question is the well quartered part. The more on the vertical the grain the better and more consistent the strength of the brace in that plane. Though Compiano hinted in Tradition and Technology that hand split was the way to best achieve this, personally I have doubts that once you have the grain in the best vertical plane possible that there is a difference in hand split or sawn. Now getting there hand splitting may have an advantage, but as long as it is well quartered the method that got you there is unimportant.


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PostPosted: Wed Sep 26, 2007 2:39 am 
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Splitting is done to avoid runout, not to get qurtered stock; a brace can be quatered and still have lots of run out. Lack of runout in braces is important for its resistance to splitting later on.

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PostPosted: Wed Sep 26, 2007 3:01 am 
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Koa
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I think the most important part of your question is the well quartered part. The more on the vertical the grain the better and more consistent the strength of the brace in that plane.


Ervin Somogyi did an experiment with a bunch of bracewood and came up with some different conclusions.  It's written up in an article somewhere (American Lutherie, I believe) and I thought it was on his site but couldn't put my finger on it.


As I recall, he did the testing after he noticed that some of his go-bars were much stiffer than others and that it did not correspond to common thinking about grain direction.  If memory serves, he found that the stiffest grain orientation was different in relation to the density of the piece (although I don't remember off the top of my head how it corresponded). Some wood was stiffer quartered, some was stiffer with angled grain, some was stiffer flat sawn, depending on density.


 


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PostPosted: Wed Sep 26, 2007 3:26 am 
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Brazilian Rosewood
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Euro, or Euro, or if I haven't got any of that, I use Euro.

Did I say I use Euro?

Colin


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PostPosted: Wed Sep 26, 2007 3:32 am 
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In traditional archery, where the bending properties of wood is taken to the extreme, and an old saying goes something like this: "a fully drawn bow should be 7/8 broken". On "self" bows (bows made from a single piece of wood with no reinforcements) the back of the bow, that is the side which is in tension when the bow is drawn is ideally one continuous growth ring. That means it is flat sawn compared to how guitar braces are expected to bend. It would probably be unpractical to make guitar braces this way as it would be difficult (impossible?) to taper them, let alone scallop, but compared to quartered braces they should be more resistant to breaking. Wheter they would be stronger until they broke is another question. I have a feeling the profile of the brace has something to do with which grain orientation is better, but I really have not data to back that up (so I should shut up).

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PostPosted: Wed Sep 26, 2007 3:32 am 
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Koa
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I read somewhere and I am sorry I don't remember where, of a test done to different brace materials where force was exerted for a while and then released to test the spring back. I remember the results being that spruce held more of the shape the weight forced it into but that redwood sprung back to almost its original shape. I am planning to try to verify this but haven't gotten to it. I try to ignore the species and test whatever spruce I have for stiffness and weight and use those. Does anyone else cook theirs? I throw them in when I do the tops and all sorts of resins come out of the end grain on some and others have very little. I am keeping all of my data, but have only been doing it for a couple batches so it isn't much use, yet.

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PostPosted: Wed Sep 26, 2007 4:10 am 
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Mahogany
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out of curiosity, I've wondered about bamboo as a bracing material. I'm
building a tenor uke and am considering trying it out. Not that I have
anything against spruce, but I have several species of bamboo growing in
my backyard. The thicker walled types are the ones I'm looking at.

I don't know if I'd be brave enough to use it on a guitar back or top but it
seems like it would work for side reinforcement.

Any thoughts would be appreciated, even if just to talk me out of the idea.

thanks, john


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PostPosted: Wed Sep 26, 2007 4:38 am 
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Koa
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Yeah... I cook my braces too. But i let them sit in the assembly room for at least three days before I glue them to a top or back.
A friend of mine braced a guitar with Yellow Cedar once... He was so disappointed with the sound, he pulled the top off & redid it with Spruce. I never got to hear the guitar after the re-do, but he told me there was a great improvement in loudness & sustain.
Burton's comments are interesting in this regard... I have tried Yellow Cedar for go-bars & they are nearly useless. They relax into the bend & the clamping pressure decreases dramatically. Once removed from the deck, they maintain the curve for a long time, before slowly straightening up.


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PostPosted: Wed Sep 26, 2007 7:31 am 
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Cocobolo
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Good spruce is fairly hard to come by in North Australia without paying high shipping costs, so I tried something local.



On the last 2 guitars I've used mahogany for the back braces and Kauri
Pine for the top braces.  I'm really pleased with the sound so far.



I also took the guitars to a party last Sunday and let everyone have a
play. Everyone was really impressed with the sound and I came away with
some commissions. 

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PostPosted: Wed Sep 26, 2007 7:36 am 
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Koa
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While flatsawn can indeed be as stiff, the problem arises because we either scallop them, or at least taper the brace ends where they meet the ribs. That act, on fat sawn woods, introduces a stress riser and can easily split the brace between growth rings.

It may not split. But it most certainly can.

As for species, on backs, anything goes. Anything. use the braces to move your tone around. Change species instead of changing shape/size next time you want to hear something different. Got a really floppy back that you had to sand too thin? brace it with maple, or mahogany, or birch, or.... Got a good stiff back, and want to tone it down a touch? brace it with cedar, any cedar...

For tops, any -good- spruce is hard to beat, but Western Red cedar can work wit CF, redwood also. Douglas fir can also be used, but it's mass requires a bit of compensation.



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PostPosted: Wed Sep 26, 2007 8:28 am 
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Koa
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While flatsawn can indeed be as stiff, the problem arises because we either scallop them, or at least taper the brace ends where they meet the ribs. That act, on fat sawn woods, introduces a stress riser and can easily split the brace between growth rings.


I wouldn't use flat sawn for solid braces either but only based on intuition, not any testing.  I mentioned that to Somogyi and I don't recall him giving an opinion.  It does seem like a fine option for CF laminated braces and a good potential use of top cut-offs.


I did find a copy of the article though and his basic finding was as follows:


Grain orientation "seems" to have more of an effect on stiffness/deflection in spruce as the density of the pieces decreases. Deflection in dense spruce seems to be similar regardless of grain orientation.  As the pieces get less dense, grain orientation matters more and stiffness seems to decrease the closer you get to quarter sawn.


He also acknowleges that his results were surprising and suggests that more testing could be done.  And he states that he isn't recommending one way or the other, just reporting the results.


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PostPosted: Wed Sep 26, 2007 8:33 am 
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Koa
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I've been looking at the stiffness of Sitka in a range of sizes we use for top bracing. I'm not fully convinced of this yet, but it would appear that the flatsawn may be stiffer near the point of breakage. These are not carved, so I would expect different results if they were, as grumpy has mentioned, but it does seem to reinforce (no pun intended) what Arnt mentioned about bow wood.

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PostPosted: Wed Sep 26, 2007 8:59 am 
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Koa
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[QUOTE=johnfgraham] out of curiosity, I've wondered about bamboo as a bracing material. I'm
building a tenor uke and am considering trying it out. Not that I have
anything against spruce, but I have several species of bamboo growing in
my backyard. The thicker walled types are the ones I'm looking at.

I don't know if I'd be brave enough to use it on a guitar back or top but it
seems like it would work for side reinforcement.

Any thoughts would be appreciated, even if just to talk me out of the idea.

thanks, john
[/QUOTE]

Hey John,

I've also wondered about this so I took some time to run the numbers. Based on the data I found, bamboo has a density of .76 g/cm^3 and a modulus of elasticity (aka stiffness) of 1.67 X 10^6 psi. Sitka spruce has a MOE of 1.57 X 10^6 psi and a density of about .4 g/cm^3.

Basically, what this means is that even though they have comparable stiffnesses, the bamboo is almost twice as dense. Taking into consideration that the equation for natural frequency is always some form of f=(K/m)^.5...this means that a guitar with spruce bracing will have a higher pitched resonant frequency than bamboo (assuming the same geometries are used). The exact effect of switching these materials is over my head at the moment. So, Maybe bamboo would be good if you wanted to build an acoustic bass?? Sure would be cool to try.

I knew that vibrations class would come in handy sometime!   

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PostPosted: Wed Sep 26, 2007 9:30 am 
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Cocobolo
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[QUOTE=grumpy] As for species, on backs, anything goes. Anything. use the braces to move your tone around. Change species instead of changing shape/size next time you want to hear something different. Got a really floppy back that you had to sand too thin? brace it with maple, or mahogany, or birch, or.... Got a good stiff back, and want to tone it down a touch? brace it with cedar, any cedar...For tops, any -good- spruce is hard to beat, but Western Red cedar can work wit CF, redwood also. Douglas fir can also be used, but it's mass requires a bit of compensation.
[/QUOTE]

Mario, this is the kind of stuff that would take me years (if ever) to figure out on my own. Thanks for sharing your hard earned knowledge. I love this place and that folks are so willing to help others.

Bob K


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PostPosted: Wed Sep 26, 2007 9:58 am 
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Koa
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First name: Bill
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[QUOTE=BobK] [QUOTE=grumpy] As for species, on backs, anything goes. Anything. use the braces to move your tone around. Change species instead of changing shape/size next time you want to hear something different. Got a really floppy back that you had to sand too thin? brace it with maple, or mahogany, or birch, or.... Got a good stiff back, and want to tone it down a touch? brace it with cedar, any cedar...For tops, any -good- spruce is hard to beat, but Western Red cedar can work wit CF, redwood also. Douglas fir can also be used, but it's mass requires a bit of compensation.
[/QUOTE]

Mario, this is the kind of stuff that would take me years (if ever) to figure out on my own. Thanks for sharing your hard earned knowledge. I love this place and that folks are so willing to help others.

Bob K[/QUOTE]

Right BobK, right!!! And I'll add my big THANKS to Mario for sharing that tasty little tidbit of information. At the rate I'm going to build guitars, using trial and error, there are simply things I would never figure out on my own. The presence and participation of the "pros" (whatever that means) cannot be overemphasized to an amateur like me.

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PostPosted: Wed Sep 26, 2007 2:33 pm 
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Mahogany
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I'm really surprised that no one has yet observed that every piece of wood is different.


Yes, the USDA can issue statistics that show that, ON AVERAGE, spruce has an excellent strength-to-weight ratio. THE COMMON WISDOM has it that vertical grain is a good visual clue to the likelyhood of strength. Ditto with number of grain lines per inch.


But these averages and generalities. As sure as there is studly Sitka spruce, there is also wimpy Sitka. Seems kinda optimistic to me to trust reputation and appearance in lieu of some actual testing.


For my part, I have measured the weight and deflection of the bacewood in my most recent build, and wouldn't you know it, some samples deflected less than others with the same weight. This presents a pretty easy call: use the stronger stuff!


One thing that puzzled me was that, for the specific pieces that I tested, the more late grain lines, the stronger_BUT ALSO HEAVIER_the brace was.


I'd really like to know which to use "stronger but heavier" or "lighter but weaker".


Better still, is there a more useful test for bracewood, than deflection testing?


Larry


 



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PostPosted: Wed Sep 26, 2007 2:54 pm 
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Koa
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[QUOTE=fmorelli]Swiss Spruce from Switzerland. I ordered 30 kilograms (about 60 lbs) which is the maximum they can ship. It is north of 40 grains per inch. Super stiff.



   hey what was the cost in american rubles for the 60 lb plus shipping ?   thanks jody
Filippo[/QUOTE]


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