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PostPosted: Sun Jan 27, 2008 9:11 pm 
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Walnut
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Joined: Thu Jan 24, 2008 8:58 am
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Location: Amherst, NH - USA
The Guild of New Hampshire Woodworkers has a luthier's interest group. On Saturday, they had Ed Gerhard come in for a listening test. He tried out 12 guitars. One was a nice O model by Steve Spodaryk, another was a baritone by Al Carruth, and one was my M-style. Ed was very kind to all of us but said useful things about each guitar.
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PostPosted: Sun Jan 27, 2008 9:57 pm 
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Koa
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City: Lawrence
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Very Cool Mike

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PostPosted: Mon Jan 28, 2008 10:24 am 
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Old Growth Brazilian Rosewood
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Location: Ann Arbor, Michigan
First name: Hesh
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Country: United States
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Yep very cool and he is smiling too which is a great sign!!!


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PostPosted: Mon Jan 28, 2008 10:34 am 
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Koa
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First name: Joe
Last Name: Breault
City: Merrimack
State: NH
Status: Amateur
Darn...I missed it. Nice job, Mike! I bet it was awesome to have someone of Ed's caliber playing one of your instruments.

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PostPosted: Mon Jan 28, 2008 11:00 am 
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Brazilian Rosewood
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Location: Hughenden Valley, England
Mike,

That's so cool. Feedback from someone like that is priceless.

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". . . the one thing a machine just can't do is give you character and personalities and sometimes that comes with flaws, but it always comes with humanity" Monty Don talking about hand weaving, "Mastercrafts", Weaving, BBC March 2010


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PostPosted: Mon Jan 28, 2008 11:17 am 
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Mahogany
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That is so cool.

Without pointing at particualr guitars (and their builder), was there a theme to his comments that you could share?

Tone likes and dislikes, action/playability, etc.

Thanks,
Joe


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PostPosted: Mon Jan 28, 2008 2:02 pm 
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Walnut
Walnut

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Location: Amherst, NH - USA
JHerrick wrote:
That is so cool.

Without pointing at particualr guitars (and their builder), was there a theme to his comments that you could share?

Tone likes and dislikes, action/playability, etc.


I didn't seem to like fret ends that stick out. A couple of guitars had humidity problems that way and he pointed it out. He also likes wide rather than narrow necks.

As for sound, on each guitar he would play the somewhat dissonant chord up the neck and then listen to the sustain of each note of that chord. He was looking for a sustain that was basically the same for each note. That seemed to be important to him. He also talked about what characteristic of guitars such as bright, mellow, meant to him.


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PostPosted: Mon Jan 28, 2008 2:36 pm 
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Brazilian Rosewood
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First name: Dave
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That sounds like a great way to spend your Saturday Mike! I'll bet it was fun
for all the builders having their guitar critiqued by Ed Gerhard.He is such a good player.

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PostPosted: Mon Jan 28, 2008 2:37 pm 
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Contributing Member
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Location: United States
What? No video?
:P

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PostPosted: Mon Jan 28, 2008 4:04 pm 
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Walnut
Walnut

Joined: Thu Jan 24, 2008 8:58 am
Posts: 12
Location: Amherst, NH - USA
Don Williams wrote:
What? No video?
:P

You'll get no sympathy from me! You had your chance to come. But, Noooo, a lowly three hour drive each way and you decide it's too tough. ;)

A lot of people took pictures though. I think Wade was one of them. Maybe he'll print them out and make a flip book for you.


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PostPosted: Mon Jan 28, 2008 8:49 pm 
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Koa
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Location: United States
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Ed's a great guy and tremendous player.
I was fortunate enough to sit him down with one of mine at Healdsburg.
-C

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