I've been using persimmon for a while now. As has been pointed out, it's a great wood for bridge plates: it is diffuse porous, quite hard, and tough. In fact, I used some persimmon samples in my 'side tape test' and they took twice as much force to break and Indian rosewood samples of the same size and thickness. Those samples were quartered, too, skew cut wood is even tougher.
I made one persimmon guitar, just to try it out. It's not bad, but not 'magic' either. It is quite dense, like a rosewood, but the damping is higher, so it may not have quite the high-end 'ping' if used in a classical. It's fine for steel strings, though, especially if the buyer plays in the sort of venue where they put chicken wire between the audience and the stage. That was a real 'street fighting' guitar.
Sometimes you find persimmon with black streaks, but mostly it's either a brownish grey or white. It makes a good fingerboard. I like to stain it with a 'tea' made by boiling black walnut hulls in water.
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