JRE Productions wrote:
Thanks Guys.
Here is my thought...however simple: When I look at some of the great sounding archtops-electrics of the 50's, most were 3 ply. Gibson for example used plywood on all but a few arched tops. Then I believe they used spruce for the top, but I think the sides and back were still plywood. ES175, ES350, ES295, ES 125 are example of all plywood bodies. Now I would have to go back and re-study this, but I think the L5 had a solid top along with models like the Johnny Smith etc. Same goes for Gretsch all but a few had plywood tops. The 1957 Duo-Jet I have on my bench for repair has a plywood top and has quite a bit of accoustical tone/volume for chambered body. My own 57 Gretsch hollowbody sounds great both plugged in and unplugged. While plywood guitars are certainly not overly great sounding "accoustically" compared to a high end solid wood instrument, they have some merrit.
I have a design I want to try and may just give it a shot with maple plywood first.
Thanks!
The sides have little effect on sound regardless if the electric archtop is made with ply top or not. 3 ply sides are pretty similar to solid bent sides of equal thickness but are hard to make. This is because the wood is too thick to bend without heat and/or moisture. 5 ply laminated sides of equal thickness to solid bent sides are also equal sonically but are easier to make since they can be pressed and glued without heat.
The best way to make your plates or sides is to press the individual layers into shape using glue to fix them in that shape. Vacuum pressing works well and so does a male/female mould contraption. On the other hand, trying to press plywood into shape is much more difficult if not impossible.
You might serve yourself better just buying some plates and sides from Dan Yeager at Acme rather than setting up your production. Veneer is pretty expensive in small quantities and can take up a huge shop while it is processed into archtop rectangles.