jeremy3220 wrote:
David Collins wrote:
Keep in mind that that immediate area will be heavily heavily reinforced with a massive ebony or rosewood brace above the soundboard. Some people call it a fingerboard, but it's really a brace, just like the sides and bridge.
yeh, but it is also pushing against the UTB so I wasn't sure how everything tied together.
Yes, it does put some stresses on the top, but that's why I chose the words "
immediate area". About an inch each side of the board is so strongly reinforced by the thick rosewood / ebony cap, that any significant load is transferred out to the edges. If you imagine the top or brace distorting or failing directly at or around that hole, try to picture how much the fingerboard would have to distort or shear for that to happen.
The load is transferred to the edges, but the
immediate area around the hole is very heavily capped and reinforced. You may occasionally see slight cupping of the area an fingerboard in heavily warped tops, but even then the cupping will be found smooth and spread evenly across the width of the board. You'll never find a sharp kink of failure or distortion at the access hole. It's just as likely to find on a headstock adjustable guitar as one with drilled brace access though, and flexing of the area is more often due to a dried out top and fingerboard. In my years of repair, I don't believe I've ever seen a failure or distortion that I thought could be attributed to the access hole.
I see the solid brace as more of an aesthetic (and I'll admit it's a nice one at that). That being said, that hole
does look a bit big, and I would personally probably replace the brace just to keep it from looking crude.