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PostPosted: Sun Feb 19, 2006 1:09 am 
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Brazilian Rosewood
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Well, the humidity just dropped due to an arctic blast in the midwest. Last week it was 42% and now it's near mid 20% and dropping. This means that after gluing up the back to the sides, I need to wait for more favorable humidity conditions in order to glue the top.

So I thought I'd post a few pics of the boat and top to elicit any constructive comments before sealing it up in a week or so when conditions permit.

The guitar follows Michal P.'s plans with some slight modifications. I'm using Zootman's WFB and Carpathian Spruce. All bracing is Adirondack spruce and all glue joints are HHG. Check out the pics and let me know what you think:







Thanks for looking!

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PostPosted: Sun Feb 19, 2006 1:29 am 
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Brazilian Rosewood
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whooooaawwww! Awesome wooooooooddeeeeeeeelleeeeeeeeiiiioooooo!!



Great job so far!!

Keep up with the excellent craftmanship guys!!!!!!


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PostPosted: Sun Feb 19, 2006 3:08 am 
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Brazilian Rosewood
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JJ that is looking great. Nice neat clean work. I'm sure it's just a shadow but the bridge plate looks a bit thick? Cool side braces too. Bobc38767.4648726852

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PostPosted: Sun Feb 19, 2006 3:16 am 
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Wow, that does look great. I was actually a little curious about that
bridge plate also.

How tall are the peaks on those x-braces? I've never looked at these
plans before, but that is some beautiful shaping.


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PostPosted: Sun Feb 19, 2006 4:11 am 
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Brazilian Rosewood
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Bridge Plate...The Padouk plate is .090" thick but it has a 3/16" brace at the south end. I got that idea from John K. and Mario. The bridge plate is glued tightly to the adjoining bracing but not let into the braces...one departure from the plan.

X-Braces...The peaks are about .750" per Michael's plans.

Side braces...These are the cut off scrap laminate wood strips from the laminated neck blanks I build. Just wouldn't think of scrapping them!

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PostPosted: Sun Feb 19, 2006 4:17 am 
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Very nice, JJ. I can't wait to see it under finish.


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PostPosted: Sun Feb 19, 2006 4:37 am 
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Looks very nice....but....
It almost looks like your sides aren't running parallel to each other at the waist? If so, you're going to have a different sized top than back...perhaps it's just my imagination.

Other than that and the bridge plate others mentioned it looks great.

What does the inscription say?

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PostPosted: Sun Feb 19, 2006 5:12 am 
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Brazilian Rosewood
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Don...you just scared the hell out of me so I ran downstairs and checked the waist dimensions. You're right...there is a 1/16" difference between top and back at the waist. Good eye for a "former" luthier! Actually they're both square and parallel. I believe there is some parallax distortion due to the angle and lens combination that makes it look out of kilter.

Inscription...As you may know, I name all of my guitars. I don't want to reveal the name of this one until it's completed. The inscription is just something personal I write based on the person for whom it is dedicated. In the past, I named my guitars for my sons and brothers for whom they were made. This one is for me so I named it in honor of someone who provided inspiration in my learning process.

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PostPosted: Sun Feb 19, 2006 5:14 am 
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[QUOTE=Don Williams] Looks very nice....but....
It almost looks like your sides aren't running parallel to each other at the waist?[/QUOTE]

Me thinks it is the camera distortng that view.

LOVE the wood!

Larry

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PostPosted: Sun Feb 19, 2006 5:31 am 
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That looks great! Neat, clean and I love those laminations. Clinton


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PostPosted: Sun Feb 19, 2006 5:38 am 
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That gal is just elegant! I see you`re playing the weather on closing up, also. What humidity are you waiting on? I`ve got the same weather here in Decatur.

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PostPosted: Sun Feb 19, 2006 6:06 am 
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phew! I had a feeling it was the camera, but didn't want you to kick yourself if it wasn't. Been there. Done that.

Cool thing about the inscription...

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PostPosted: Sun Feb 19, 2006 6:11 am 
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Brazilian Rosewood
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The humidity conditions when I glued on the braces and the back varied between 38%-43%. I'm waiting for similar conditions before I glue on the top. In the meantime, I'm keeping the back while it sits in the mold as well as the top in my humidified wood storage area where it is struggling to maintain 35%.

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PostPosted: Sun Feb 19, 2006 6:16 am 
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I`1m sitting at a constant 36% in my little room where I do most of my little stuff, and maintaining 40% or better is like babysitting. Do you think 36% is still a little too dry?

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PostPosted: Sun Feb 19, 2006 6:39 am 
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Brazilian Rosewood
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I'm going to wait only because I don't want to be sorry later. I'm in no hurry since I have no deadline. I'm really trying to be more patient lately based on having made impulsive decisions in the past that I often seemed to regret. Perhaps I'm a bit conservative?

Maybe some of the adult luthiers might comment on the risk of gluing at 35%. I'm still an impulsive adolescent!

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PostPosted: Sun Feb 19, 2006 6:44 am 
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Very nice work. I love the three piece side braces and laminated head block. Very classy!

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PostPosted: Sun Feb 19, 2006 7:02 am 
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Brazilian Rosewood
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Great work JJ, straight from the big mouth of the South, yours truly.

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PostPosted: Sun Feb 19, 2006 7:38 am 
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Super clean JJ! Hope to see that one at the NEXT MGL meet! Im hoping to bring along the 12 fret dread im doing. Its been one thing after the other (life wise) keeping me from getting this one done, my client has shown patience above and beyond

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PostPosted: Sun Feb 19, 2006 8:18 am 
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Brazilian Rosewood
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Bruce...not necessarily "big", but you are indeed the mouth of the South!

Lance...now I really know how much effort it takes to keep everything so clean inside. Thanks for posting the great examples. I'm committed to keeping up with the higher level of attention to detail...still a long way to go! I'll be bringing it to the next meeting...I only hope I have the top on by then.

Thanks for the kind words, guys.

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PostPosted: Sun Feb 19, 2006 8:34 am 
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[QUOTE=JJ Donohue] Maybe some of the adult luthiers might comment on the risk of gluing at 35%. I'm still an impulsive adolescent![/QUOTE]

I hear you on that one JJ! "Oh, I'll just go ahead and do this little task since I'm here. I know I should do X and Y before I do this (or just wait) but I want to do it now!" 2 days later "$%@#$!!! Why didn't I just wait and do it right??!!"

I'm a toddler on your scale!

Great looking guitar. Like the inscription. SJ is my next!ATaylor38767.6911111111


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PostPosted: Mon Feb 20, 2006 2:31 am 
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Very nice work JJ. I too like the use of the laminated side braces and neck block. It really adds to the guitar.


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PostPosted: Mon Feb 20, 2006 3:10 am 
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Very nice JJ, looking good. Your workmanship is tight and clean and I like those laminiated braces. I think is better to glue at 35% than 65% but I would wait till you were in the 40's if possible. Looking good JJ, keep it up.

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PostPosted: Mon Feb 20, 2006 6:19 am 
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JJ--I just saw my set of that WF Bubinga this a.m., and thought of you and your project. So nice to see it...thanks for posting. (Only now I'm going to have to get off my duff and get mine built.)
My comment would be on those bracing peaks--.750" seems excessive. The Martin Herringbone plan has the tallest dimension for the "X" at 5/8"--what's that, .625"? And the second peak, closest to the edge is c. .500"
Since your top is still off, you can at least tinker with those peaks some, if you choose to do so.

Looking really clean!

Steve

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PostPosted: Tue Feb 21, 2006 2:26 am 
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Brazilian Rosewood
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Thanks, Steve. I'll take a look at those peaks when I get home this weekend. One of the reasons it takes me so long to build is the time it takes for me just to re-familiarize myself with the project after weeks of absence. Your suggestion certainly is timely since it can be more easily modified now.

As for getting off your duff and getting the WFB sister in the game, I'll be most interested in learning how an "adult luthier" approaches the build. Any ideas as to what you'll build with it yet?

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