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PostPosted: Tue Apr 04, 2006 7:58 pm 
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Joined: Fri Aug 26, 2005 5:49 pm
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I am building a curly bubinga guitar now. Some observations: It is probably the most difficult wood I have ever tried to hand plane; the first one I made a couple of years ago when I did not have a drum sander gave me nightmares! It was also difficult to bend on a hot pipe without the curls causing cupping and unevenness. This time I drum sanded the sides to 2 mm, misted the sides with water, wrapped them in aluminium foil and bent them in a Fox style bender. They came out with minimal unevenness. The figure on my sets are more like Steve K's, I got mine from Larry Davis about 3 years ago.

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PostPosted: Tue Apr 04, 2006 9:55 pm 
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Brazilian Rosewood
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Joined: Sun Dec 25, 2005 6:32 am
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Dennis, WOW, I'll ha ve to check out your work more closely from now on, that guitar design is just wonderful!

Bubinga is really a must try on my list for me now!


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PostPosted: Tue Apr 04, 2006 11:32 pm 
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Brazilian Rosewood
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Joined: Tue Nov 29, 2005 11:44 am
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Location: Newark, DE
First name: Jim
Last Name: Kirby
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Thanks everyone. I'm guessing the bubinga board(s) will come home with me if they are still there this weekend.

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PostPosted: Wed Apr 05, 2006 12:21 am 
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Brazilian Rosewood
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Location: Jones, OK
[QUOTE=DennisLeahy] [QUOTE=Dave Rector] [QUOTE=Mike Mahar] The bee's wing and other highly figured bubingas have a reputation for being difficult to bend.[/QUOTE]

Uh oh, I have a set of the beeswing from the Zootman (I think I won it in the OLF auction). Any suggestions on how best to go about bending it. More heat, thinner sides, more moisture, less moisture?[/QUOTE]
Dave, my knowledge of bending guitar sides is truly vast, and yet thinking back over the years and all of the sides that I have bent, I calculate that exactly half of all the sides I have bent were figured Bubinga. Er, well, I... OK, OK, now the truth: I have bent 2 sets of sides; one set was the figured Bubinga shown in this thread. I used a silicone heating blanket on a solid form, wrapped the Bubinga in wet paper, blue spring steel above and below, very little water, and about 315°F bending temp. When I was done, I thought I had faceting, but it was an optical illusion created by the curls. It came out smooth.

The cutaway portion of the bending form I made was not well thought out, and I had LOT of trouble keeping my cutaway caul in place. That fidgeting caused me to keep the sides in the bender at 315° at least twice as long as I had planned, and I scorched the sides in a couple of spots. It all sanded off. I mention that because I think that's another positive attribute of Bubinga. If it had been Maple or many other species, I think it would have been toast.

Dennis[/QUOTE]

Thanks Dennis, that's exactly the kind of information I was looking for!

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PostPosted: Wed Apr 05, 2006 12:22 am 
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Brazilian Rosewood
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Location: Russellville, Arkansas
Kirby, a principle of wood acquisition, buy first, ask questions later. I've missed a lot of nice wood otherwise. Of course you should educate yourself along the way. Nice guitar by the way, really nice.

An example: I left my hardwood store with nothing. It was a bummer to not find anything I was looking for. I ran across a piece of super curly maple, but it wasn't until I got home I thought of bindings, man. I drove all the way back to get it, 80 miles one way. It was gone and no more to be had.

BobCef put up three sets of wood that I nabbed, two were waterfall bubinga sets with sapwood. And I don't like sapwood, but it was irresistable. Then he puts up a set of Imbuia, and no one was bidding. It had what looked like two huge thumbprints at the waist. What looked like a defect in the pattern to most, was the thumbprint of God to me.

I hear it's easy to sell a "salesman". That is a true maxim, especially if they have any room on the credit line.   

[QUOTE=jtkirby]
A local store has some sizeable bubinga boards that are almost perfectly quartered and seem, in their semi-sanded state, to have a moderate amount of figure. They were whispering "resaw me ... resaw me". (I'm guessing that each board has about 6 B&S sets hiding within.) [/QUOTE]

Principle Two: When wood talks to you buy it. It's magical that way and does sometimes speak, if you're listening. Bob hears these voices I know. You're learning.Bruce Dickey38812.4103587963

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PostPosted: Wed Apr 05, 2006 12:40 am 
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[QUOTE=TonyKarol] The lower bout on that is pretty sweet looking Dennis .. did your wife/girlfriend/nextdoorneighbour pose for that one or WHAT !!!!![/QUOTE]
Hi Tony, and thanks!

Meet "Angelina." My first. (I never completed the other one I started 25 years ago.) I just popped that picture in here as an example of Bubinga, but when I get this one done, I'll post a thread and talk a bit about where that shape came from.

Dennis

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PostPosted: Wed Apr 05, 2006 7:51 am 
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Angelina .. yeah ....Jolie wouldnt be her last name now would it ??? !!!! Dont tell me the next one is going to be called Lara.

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PostPosted: Wed Apr 05, 2006 11:19 am 
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Brazilian Rosewood
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Joined: Tue Nov 29, 2005 11:44 am
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Location: Newark, DE
First name: Jim
Last Name: Kirby
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[QUOTE=Bruce Dickey] Kirby, a principle of wood acquisition, buy first, ask questions later.[/QUOTE]

Bruce - I think I've almost got that one under my belt.

I learned my lesson last year, in the shed at the local hardwood supplier that deals to most of the Philly area cabinet shops. I came across a plank of Wenge, 6/4, 10" wide, almost perfectly quartered, straight grained, a thin sapwood stripe running down almost the full, 16' length of the board. Would have cost me $180. I balked. I've thought many times how many B&S sets were in that board.

I have to pass your guitar complement along to a more deserving recipient - I didn't post anything in the thread.

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