Here is a picture and an explanation of my troubles...
I cut an all new batch of the aged sitka today, along with a batch of adirondack on the left. Sitka appears pink or tan, while adirondack appears whitish-yellow. Notice that all the Sitka braces sheared with little flex, they just cracked and popped, and kept doing it until they were all gone. Notice the pile of adirondack, only two succumbed to the same treatment. Then look closely at all the breaks....
All the Sitka followed runout lines in the grain and so runout in my estimation is part of the problem with these. They also appear brittle, maybe something really related to the fact it's aged wood. So help me think it through, what's more important vitality or age which can induce great sound of a broken in guitar? For some reason, I go with vitality. Any good rap front or back of a guitar might cause this type of fracture.
Back to the Adirondack, now this wood is seasoned, purchased from a reliable supplier, and for the most part possesses resilience and vitality. I had one set of all you see crack and give up on my twisting, flexing torture test. So, my thoughts flittered back to William Cumpiano and Natelson's book. The haunting comment "I only use split braces". Now, I'm a believer, not a doubter. William learned the lesson well, and taught it himself. Now for me, after today, "I only use split braces in my guitars".
Well, what do you think? The price of my guitars just went up. Bruce