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PostPosted: Wed Apr 05, 2006 5:14 pm 
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Koa
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I tend to just barely break the corner so they don't feel sharp (1/32" or 1/16" radius maybe), but I wonder how a more rounded edge would look and feel. How soft do you go?


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PostPosted: Wed Apr 05, 2006 10:51 pm 
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Koa
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I go by feel. I like a softer edge after all its a guitar not a razor. Once I scrape the binding and I finish sand the top I use my thumb and hit the edges with the sandpaper to break the corner
john hall


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PostPosted: Wed Apr 05, 2006 10:57 pm 
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Although I have not figured out yet how to get a nice soft radius, I prefer the look and feel of something like this --



This by the way is a Mark Blanchard guitarLanceK38813.3319212963

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PostPosted: Thu Apr 06, 2006 1:00 am 
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You could use a round over bit



They make em as small as 1/16" radius

Check out Rockler's roundover bits

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PostPosted: Thu Apr 06, 2006 2:22 am 
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I like a scraper around the edge, followed by my thumb under some 220...

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PostPosted: Thu Apr 06, 2006 2:53 am 
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Brazilian Rosewood
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I file a 45 degree bevel first,so I can judge how even it is, then two secondary bevels,then blend them together with 180 grit on a block,then 220 by had.


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PostPosted: Thu Apr 06, 2006 3:08 am 
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Koa
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One of the local very experienced guitar builders(built over 300 guitars) uses a 1/8" roundover bit with a laminate trimmer. Last time I was in his shop he had just finished doing this. The edges were nice and soft, and 1/8" was perfect! Much so, that I'm thinking of selling the 1/8" roundover bit through Luthier Suppliers. I'm already talking to vendors now. I'll be doing a test on one very shortly. I'll let you know how it turns out.

Hesh, also, good point on leaving the area under the fretboard extension untouched to give it better contact and no gaps.
Tracy


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PostPosted: Thu Apr 06, 2006 3:13 am 
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What I think I would like most about using a round over bit would be the consistency of the cut. The fear would be destroying a guitar that is so close to being done.

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PostPosted: Thu Apr 06, 2006 3:24 am 
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Brazilian Rosewood
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I like to break the edge with a scraper and sandpaper and don't leave much of a radius on mine...just use my thumb to feel it out. But I do like the look of that Blanchard guitar....i'll try more radius next time

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PostPosted: Thu Apr 06, 2006 7:46 am 
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Brazilian Rosewood
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Has anybody tried notching a scraper to an appropriate radius?


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PostPosted: Thu Apr 06, 2006 8:01 am 
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Koa
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I have always wanted to go with more of a radius, but never had the guts. It's easy to add more radius, hard to take it away.

1/8" radius sounds tempting.   Any idea what the radius on the Blanchard guitar's bindings is, Lance?


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PostPosted: Thu Apr 06, 2006 10:28 am 
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[QUOTE=LanceK] What I think I would like most about using a round over bit would be the consistency of the cut. The fear would be destroying a guitar that is so close to being done.
[/QUOTE]

You could always do 2 passes, first with 1/16" than with 1/8"

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PostPosted: Thu Apr 06, 2006 11:01 am 
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no idea what Mark uses? He probably uses his thumb and some mojo magic
His guitar oozzz class!

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PostPosted: Thu Apr 06, 2006 11:43 am 
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Having a stronger radius also helps the finish to adhere to the corners better. If sharp, the finish material would tend "pull away" from the corners.

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PostPosted: Thu Apr 06, 2006 12:45 pm 
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Cocobolo
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Carlton-I use a notched scraper and it works well. I use a round needle file to shape a notch at one corner of the scraper, and leave the burr from the file-quick and clean.

                   Paul Harrell


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PostPosted: Fri Apr 07, 2006 1:18 am 
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Old Growth Brazilian
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Be carful if your binding is .08 thick and you want to put an 1/8" radius on it with a roundover bit, you either need to inlarge the guide bearing dia. or set the depth of the bit higher than the router base or you will cut the radius past your binding and into your perfling or top/back.

Here is three profiles showing what I mean, The top one is a 1/8" roundover bit in normal position. It will cut into the purfling. The other 2 are the fixes


I think raising the bit is the best. By the way you would need to rase the bit .009" for a 1/8" roundover bit on .08 binding.MichaelP38814.4366435185


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PostPosted: Fri Apr 07, 2006 2:08 am 
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Cocobolo
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I like the radius on Mark Blanchards guitars. I think he may be radiusing them more nowadays, the one I own has a sharper radius. Mark does it by hand using eyeballing/feel with a file.


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PostPosted: Mon Apr 10, 2006 2:47 am 
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Koa
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Hi all,
I just wanted to update on everyone regarding the 1/8" roundover bit.

I finally built up enough guts to put a laminate trimmer to the completed bouzouki body. Very scary thing to do, but it really worked out well. I first tested on scraps and measured how much the roundover would affect the purfling. I got mine set to not touch the purfling. Total setup time was about 10 minutes, and rounding over the binding edges for top and back were about 2 minutes. I stopped on the top where the fretboard meets the body so there will not be a gap under the fretboard.

Here are some shots. The first one shows half of the binding rounded over(the binding that is closest to the lower bout has been rounded over, and the binding towards the upper bout had not been done yet). The second shot is of the round-over bit setting in my laminate trimmer. The 3rd is the completed binding. I highly recommend this way of rounding over. It is no more scary than routing your binding channels! I'll probably offer these bits on my website some time soon. Thanks!




Tracytl50736238817.5021296296


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PostPosted: Mon Apr 10, 2006 7:05 am 
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Koa
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Thanks for doing the work for us Tracy. I've been thinking about roundover bits for this job for quite a while, but haven't found a small enough bit yet.
Looks like the 1/8" is about right.


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 Post subject:
PostPosted: Mon Apr 10, 2006 10:44 am 
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Koa
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Thanks Tracy. Let us know when you stock the bits.


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PostPosted: Mon Apr 10, 2006 2:54 pm 
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Koa
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Just noticed this thread - I have been using a 1/8" roundover bit in my
Ribbecke type binding jig for a while now.

Warning: Just make sure you don't roundover where the fretboard will
attach or you will have a gap there when you go to attach the neck.

It gives the guitar a much better feel since you don't have a sharp edge at
the binding. However, the 1/8" bit might be a bit to extreme for most
folks - it has a tendency to eliminate the visibility of the binding when
viewed face-on.

Some pictures of the binding on my last build can be found at

http://www.fayguitars.com/guitars/visuals/gallery.htmlBrock Poling38818.0300578704


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PostPosted: Tue Apr 11, 2006 1:56 am 
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Koa
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I've always found that a well burnished scraper makes rounding the binding a fast and easy job. Accurate too.

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PostPosted: Tue Apr 11, 2006 7:21 am 
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Brazilian Rosewood
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[QUOTE=SimonF] [URL=http://www.fayguitars.com/guitars/visuals/gallery.html][/QUOTE]
An interesting site, Simon. Your approach to some tasks reminded me that there's always another way--like using magnets to glue your side braces (cool!), and doing your soundhole radius on the router table (scary!). Do you use the same 1/8" bit as for your bindings? CarltonM38818.6821412037


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 Post subject:
PostPosted: Tue Apr 11, 2006 2:22 pm 
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Koa
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I incorporate a cross-grain soundhole support - which basically makes
the thickness around the soundhole twice (~0.225") what it would be
normally. I then use a 1/16" roundover bit and finish it up with some
sandpaper. A 1/8" bit will work on the first side but not on the second
side - because you will have a curved surface where there needs to be a
flat surface.

Try it with your soundhole cutouts first. It isn't scary at all.


The magnets work great - but get the strongest ones you can. I got quite
a few really strong ceramic magnets at ACE for under $10.







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